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Salma Hayek, who had crossed over and had attained certain recognition, was seen as the sole outlier. There were few Latinas on-screen to point to as role models, even less so if thinking about an immigrant woman. Growing up in the Mexican capital in the 1990s, González couldn’t fathom ever working in American movies. “In a world that felt like being in a pressure cooker, I had a mother who always let me vent about my feelings and my fears.” González credits her mother with guiding her through those brutal yet formative years. Out of that rubble rose a steady career in music and television. “You are not only trying to be a good role model, but you’re also defining who you are, who you want to be and making your own mistakes.” “I was psychologically and physically awkward,” she says. González, then a fragile 15-year-old, took her first steps into womanhood under the judging gaze of millions while still mourning her father. Tabloids in her home country didn’t hold their sharp tongues when tracking, questioning and photographing her every move. After a countrywide search, she landed the lead in the teen soap about a rock star, à la “Hannah Montana.” “Īfter only a year fully engaged in the dramatic arts, González auditioned in the mid-2000s for the coveted show “Lola: Érase una vez,” from producer Pedro Damián - the man behind the youth-oriented melodrama “Rebelde,” which spawned the stratospherically popular musical group RBD.
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It was so innocent of me, now that I truly think of it. “I convinced her that I was positive acting was what I wanted to do for a living. I don’t know how I did that,” she recalls. “Shortly after, I talked my mother into letting me drop out of school. It took one class for González to redirect her focus. Her mother, worried that the trauma would plunge her daughter into depression, enrolled the burgeoning performer into a slate of extracurricular courses, including musical theater. Eight-year-old González, with an inherent aptitude for singing but also taking vocal lessons, dreamed of being a recording artist.īut her interests expanded drastically after the death of her father, Carlos González, when she was 12. After all, her tenacity as a Latina in a cutthroat and uneven field merits huge commendation.įor the Mexico City native, with roots in the northern Mexican state of Sonora, music as a zealous aspiration came long before acting. In the clarity of that nadir, González stepped back to acknowledge her expectations-defying trajectory and recalibrate. “The way she approaches life, very directly and without sugarcoating, is something that has been so helpful throughout my career,” González says. I felt very self-conscious about my craft,” González, now 31, says by phone from her home in Los Angeles.Īlways the pragmatic thinker, her mom - by her side since González’s turbulent adolescent stardom - put such crippling self-doubt into a big-picture, less fatalistic perspective. “I was almost there, but not getting them. Even though she was vying industriously for more significant big-screen roles, she continued to fall short. Though she was often seen in tent-pole productions, her screen time was scarce. In the wee hours, an anxious González asked the universe and her mother, former model Glenda Reyna, “Is this the peak of my career? Am I not good enough? Is there not going to be anything else?”Īt the time, González was landing insubstantial parts in Hollywood despite the fame she’d achieved as a young star in Mexico.
Eliza gonzalez professional#
The culprit: a middle-of-the-night reckoning with the prospects of her professional future. One evening in London, where she was shooting scenes for the 2019 “Fast & Furious” spinoff “Hobbs & Shaw,” Eiza González couldn’t sleep.